AHON AND NJENGELLE:
THE ORIGIN OF AHON AND NJENGELLE: IN BAKOSSI
BY
MAGISTRATE
METIEGE DIVINE NJIKANG OF NGUSI VILLAGE
Any person initiated into the Ahon society is referred to as Nhon and uses the
designation of Nhon before his names as a title. However, a man of
considerable wealth may also be addressed as Nhon but this does not make him a
member of the Ahon society and, he is not privileged to clad himself in the
Ahon regalia or permitted to encroach into the Ahon shrine (Mbourh).
The very first Ahon rank is called Osam; all new
members are of this rank. The second is called EPIE and the third and
final rank is called Sah Nhon. The Song Nhon has ascended to the apex of
the Mahogany (EMAARH). In this unique class, the new entrant is introduced to
the mystics of the inner core of Ahon. The associated rites are performed on a
sacred stage in the shrine (MBUORH). All the mysterious practices of this
celebrated cult occur at this level. Each village has just one or two
individuals in this class. To move up the ranks, you must pay a charge
accordingly and must not be of doubtful origin. The Ahon cult is not only
sacrosanct but it is also covert in nature. As a result, the actions of the
society are kept in the closet. In any case, an aspirant, who is equally well-to-do
is considered a conspirator by the screening cabal and can hardly get initiated
into the Ahon society.
Women are part of this imposing ambiance. Nhon who has no
male offspring can pass on his regalia and all his accolades, as he approaches
the end of his life to his female offspring provided the designee is past
menopause. However, there are limitations in the participation of the female.
Moreover, at any given time that a male offspring crops up in the family this
membership of the female is terminated and transferred to him without contest.
All songs sang are poetic in nature given that every Nhon is
a poet in our folklore. Besides, the songs produce the rhythm that enables
everyone to enjoy themselves and, in the process, they attract aspirants. This
dance is rare, and it is a vital element of the Ahon society. The dance is
staged occasionally and does not last for long, so, whenever the opportunity to
perform the dance arises, it is spiced with a very imposing melody.
The AHÔN outfit has a conspicuous configuration and it represents
a distinct sign of class in the society. The attire consists of a red hat
called OLAP (red wool cap), a black shirt, black loin called ODINE,
black shoes and black stockings accentuated with a bag called NGWEM
(traditional bag). There’s something special in the garments of a Song Ahon in
that he will always have a red scarf knotted around his waist or neck and
dropping from his shoulders towards his lower extremities.
The Bakossi people found in
NGUSI are artistic in dancing, singing
and handicraft. Among the very exciting styles of dances are: Ebenzu,
Nkolenge, Ngomelong, Club dance, Asiko (with stilts), Mal that they learnt from
Muasundem and the most popular Ngoneh.
Shrine: Njeb was a meeting place where the people met
to discuss matters affecting their lives and take resolutions.
NJENGELLE
Njengelle,
during the colonial times, was the place or shrine where conflicts were
resolved situated at Ndabezeme now known as Ngusi. It was the highest
court of appeal in the Bakossi Land. Condemned murderers, night pilots (wizards),
and other criminals found guilty in this court were either executed by Muakum
or escorted to the stream called Ndip eyork where they were killed. This
traditional shrine influenced the creation of a Customary Court in Ngusi in
Tombel Sub-division, though it was later transferred to Tombel. The Ngusi
natives want their court back. So, it is the plea of the NGUSI people to the Cameroon
government and particularly to the judiciary department, to transfer the
historic customary court to its original seat, NGUSI. We are calling on all
sons and daughters of Ngusi, who are familiar with the historic importance of
this court in Ngusi and who are well-connected, to fight for the court’s
restoration. The achieves are found in TOMBEL, KUMBA AND BUEA for verification.
Wrestling: Wrestling was the only sporting activity that
existed in the Bakossi Land at the time and the strength of every family was
measured during wresting tournament. Some families had to involve themselves
into mystical activities in order to become victorious during these tournaments.
It was difficult for a youth to visit the neighbouring
village without being attacked. Some families had to involve themselves in
mystical activities in order to become victorious during these wrestling games.
The arrival of the German Missionaries in Nyasoso in approximately 1894, and subsequently
in the rest of Bakossi Land did not affect the socio-cultural lifestyle of the
Muetug people but it however changed the structure of Ngusi village. Because
the period was characterized by inter-tribal wars, many war captives were taken
into slavery, thus ending the fear and terror factor in the area.
In fear of these ills, the missionaries advised the
inhabitants to abandon the hills and other family camps to resettle where the present
Ngusi village is situated today. The coming of the white man’s religion had altered
the lifestyle of the people and the values that held the Ngusi people together
had disintegrated.
The more the people abandoned their traditional commitments
to God-fearing practices the more questions were raised. Questions like why
should women not join men’s camp or do certain things that only men did were
then raised by Christians. The greed of the Ahon and other masquerades were
unmasked by the very people who built them. The centre could no longer hold.
The collapse of the tradition and culture which held the people together was
eminent and, was not only the order of the day in Ngusi but also Nyasoso and
other Muetug villages. The irony is the hell created by the very tradition was
the place where the Ahon and other evil ekalee were thrown. Echebebe adibeyok was the cry to the
very people who built the fire. That explains why one cannot find older and
wise men in Ngusi today. This is because they were offered as sacrifices to the
ungodly society before the age of ten. The question is, should we go back to
this era of malpractice? To say that the Muetug –man has thrown away his traditional
practices is an over statement because they do practice all other traditional
rites other than those thrown away by their forebears.
The missionaries did not limit themselves spreading
the message of GOD, but they equally opened schools, built roads and promoted
trade with the natives.