The years between 1975 and 1991 something happened in Cameroon that
transformed the generations after into creatures radically
different from the before generations. This work is
about the generations after. It traces their development through the
prism of Cameroon’s political history. As the first generation of Cameroonians
born under the United Republic of Cameroon, their character reflects the
political changes of their country. They attained maturity with the
political maturity of Cameroon.
Prologue
A new kind of Cameroonian, either derogatively or approvingly
designated as bushfallers in his native land, was conceived in the
1970s by a variety of social forces that intersected and then converged to give
social birth to this formidable breed in the early 1990s. These
forces, mainly political and economic, also contributed to the inauguration of
a quasi-multiparty political system in the erstwhile single-party state of
Cameroon, and, accordingly unleashed a new ethos of aggressiveness among
Cameroonians hitherto known for their passivity as a people who were always
seen but seldom heard. Bushfallers, the human product of these
forces of social change, are not only smart, determined, daring, calculating,
enterprising, at once assertive and aggressive, but also seemingly
unstoppable. There seems to be nothing that this edition of bushfallers
cannot accomplish if they set their minds on it. These are the
new exports of Cameroon to the world. They are out to make money,
the one thing that sets them apart from many generations before, and the one
and only thing that compelled them to venture out of the Land of Promise into
foreign lands far and wide.
Markedly different from their antecedents who traveled abroad for
various reasons, the driving force behind this driven breed is money. Again,
unlike their antecedents, bushfallers never forget their
roots. They are first and foremost Cameroonians, nationalists of
sorts, and totally devoid of tribal sentiment; they love their country, eschew
tribal affiliations, are determined to make an indelible mark on the history of
Cameroon, and to that end are making magic, literally, by their own
exertions. This new breed is transforming Cameroon from the coastal
town of Limbe through Kumba to the Bamenda hinterlands. Former
shanty towns are being remade by the remittances of bushfallers. Here
and there marvelous buildings sprout from the soil like the corn crop. Indeed,
even in the Bassa quartier Nkong Mondo in Douala, Francophone bushfaller wealth
filtering into Cameroon from Gabon, Côte d’Ivoire, France, etc., is wreaking
wonders there to the utter amazement of Bamileke merchants who once thought of
the Nkong Mondo Bassa youths as lazy and
un-enterprising.
Never before has Cameroon beheld a marvel like the one being
wrought almost everywhere in the country by bushfallers. It
is improbable that such a breath-taking marvel could again be fashioned in the
future; neither shall the country ever again behold a breed in the likeness of bushfallers.
This newness, this transformation of the Cameroonian being is
novel as it is unique and epochal.
Bushfaller wealth is also
transforming the lives of many in their respective families, clans, tribes, and
the entire country. Because of the special qualities of bushfallers, this
breed constitutes the wave of the future of Cameroon. What is not clear at this
time, however, is whether this new wave of change represented by bushfallers portends
good or ill for Cameroon. Admittedly, the ultimate end of
“bushfallerism” in Cameroon is a prognosis too premature to make at this
juncture. Time will, however, tell.
The emphasis on bushfallers should not be
misconstrued as a denigration of non-bushfaller achievements; for,
we recognize that bushfallers were assisted by their older
brothers and sisters who either preceded them to Mbengue Europa
and Mbengue Amerika, or labored in the Fatherland to ensure
the advancement of their brethren. But the visible achievements of
the Cameroonians who first ventured abroad simply fade into insignificance when
compared to those of bushfallers. On this conclusion I stake my
reputation as an observer of social change in Cameroon..
I write as a social philosopher and student of history, whose task
is to interpret and explain the workings of the social order as accurately as
possible. I examine how individuals and groups behave in society; I analyze the
actions of individuals and aggregations and draw general conclusions from these
about society. From this vantage point, I am able to discern a
striking social phenomenon that has been unfolding before our very own eyes
during the past 16 years or so. This phenomenon is now taking
concrete form. Its locus of incubation is the Fatherland,
Cameroon. Although there was in fact a commingling of variables that
ushered in this bushfaller phenomenon, I have decided to isolate a
few pivotal ones that influenced the making of this new breed.
My last teenage escapade in Cameroon happened in Victoria,
present-day Limbe, in 1975. We were in Bay Hotel one Sunday
afternoon dancing to Makossa during “Tea Time” when a scuffle ensued between
one local boy and a military man over a girl. I was inside gyrating
to the deafening blast of a medley of Toto Guillaume and the Black Styl, and did not
witness the scuffle. The soldier carried a pistol, which he pulled
out. He did not fire a single shot. But the mere sight of
a small gun sent more than 100 civilians running helter-skelter for dear
life. I was one of those civilians, and those were the waning years
of Ahmadou Ahidjo’s Cameroon when some contemporary bushfallers were
either toddlers or yet-to-be-born. Fast forward to 1991, sixteen
years later during the teenage years of our bushfallers now
come of age. We behold them battling armed soldiers with fists and
stones during “Operation Ghost Town” under the auspices of John Fru Ndi. From
all apparent indications, a lot had happened in Cameroon that created something
of a generational gulf between my teenage years and those of our bushfallers. It
is that something, which distinguishes the new breed of Cameroonian, that this
work promises to unravel.
The years between 1975 and 1991 something happened in Cameroon
that transformed the generations after into creatures
radically different from the before generations. This
work is about the generations after. It traces their development
through the prism of Cameroon’s political history. As the first generation of
Cameroonians born under the United Republic of Cameroon, their character
reflects the political changes of their country. They attained
maturity with the political maturity of Cameroon. When in the
early-1990s Operation Ghost Town released Cameroonians from the dictatorship of
the Cameroon People’s Democratic Movement (CPDM), an offshoot of Ahidjo’s
Cameroon National Union (CNU), the children of the Unitary State were the foot
soldiers of this struggle and contributed to the making of the new epoch
President Paul Biya aptly called the “New Deal Society”. Born in chains, these
children were released from their chains by the promises of Biya’s New Deal Society,
which opened up the closed society of Ahidjo’s “Old Oder” and gave vent to Fru
Ndi’s “Operation Ghost Town”.
If Operation Ghost Town provided them freedom domestically, the
forces of globalization extended this freedom internationally. By the late
1990s, the would-be bushfallers were looking outward to the larger
world for those things that the sagging Cameroon economy could not offer
them. Once abroad, their intermittent visits to Cameroon, which
revealed behaviors, attitudes, and showmanship never before seen in Cameroon,
won them the sobriquet bushfallers—those who fall bush (chappia bush),
work (plant), and after harvesting come home to show off their newly acquired….
The Bushfallers: Rise of a New Breed of Cameroonians is the story of their origins, growth, and transformative
power. As chronicler of the compelling story, that follows, I cannot
help it but echo the sentiment of American sociologist C. Wright Mills: “I will
try to be objective; I do not claim to be detached,” for, I am an offspring of
Cameroon and can therefore not pretend detachment by any stretch of the
imagination.
This exegesis is an exposé of bushfallers cast
within the context of some defining moments in the history of Cameroon from
1960 to the present. It does not attempt to pass judgment on this new breed
because they defy social conventions and their proper place in the social order
is yet to be defined. The narrative style employed in this expose is
the motif, drawn from music, whereby certain musical patterns recur
time and time again throughout the piece. In the case of this work,
instead of musical patterns the focus of emphasis is on ideas, which are
reiterated over and over again at different points and in different chapters of
this work. This narrative strategy is adopted in order to drive home
the significance of the rise of bushfallers and the role that
history seems to have pre-determined for them. But, will they defy
historical imperative?